Glen Travis Campbell ~ Albuquerque
Campbell (April 22, 1936 – August 8, 2017) was an American country music singer, guitarist, songwriter, television host, and occasional actor. He is best known for a series of hits in the 1960s and 1970s, and for hosting a variety show called The Glen Campbell Goodtime Hour on CBS television.
During his 50 years in show business, Campbell has released more than 70 albums. He has sold 45 million records and accumulated 12 RIAA Gold albums, 4 Platinum albums and 1 Double-Platinum album. He has placed a total of 80 different songs on either the Billboard Country Chart, Billboard Hot 100, and/or the Adult Contemporary Chart, of which 29 made the Top 10 and of which nine reached number one on at least one of those charts. Campbell’s hits include his recordings of John Hartford’s “Gentle on My Mind”; Jimmy Webb’s “By the Time I Get to Phoenix”, “Wichita Lineman”, and “Galveston”; Larry Weiss’s “Rhinestone Cowboy”; and Allen Toussaint’s “Southern Nights”.
Campbell made history in 1967 by winning four Grammys total, in the country and pop categories. For “Gentle on My Mind” he received two awards in country and western, “By the Time I Get to Phoenix” did the same in pop. Three of his early hits later won Grammy Hall of Fame Awards (2000, 2004, 2008), while Campbell himself won the Grammy Lifetime Achievement Award in 2012. He owns trophies for Male Vocalist of the Year from both the Country Music Association (CMA) and the Academy of Country Music (ACM), and took the CMA’s top award as 1968 Entertainer of the Year. In 1969 actor John Wayne picked Campbell to play alongside him in the film True Grit, which gave Campbell a Golden Globe nomination for Most Promising Newcomer. Campbell sang the title song which was nominated for an Academy Award.
Early life
Glen Campbell was born in Billstown, a tiny community near Delight in Pike County, Arkansas, to John Wesley and Carrie Dell (Stone) Campbell. He was the seventh son of 12 children. His father was a sharecropper of Scottish ancestry. He started playing guitar as a youth and credits his uncle Boo for teaching him the guitar.
In 1954 Campbell moved to Albuquerque to join his uncle’s band known as Dick Bills and the Sandia Mountain Boys. He also appeared there on his uncle’s radio show and on K Circle B Time, the local children’s program on KOB television. In 1958 Campbell formed his own band, the Western Wranglers.
1960–66
In 1960, Campbell moved to Los Angeles to become a session musician. Around this time he became part of a group called The Champs. Campbell soon was in demand as a session musician, and was part of a group of studio musicians known as The Wrecking Crew. During this period he played on recordings by Bobby Darin, Ricky Nelson, Dean Martin, Nat King Cole, The Monkees, Nancy Sinatra, Merle Haggard, Jan and Dean, Elvis Presley, Frank Sinatra and Phil Spector.
By January 1961 Campbell had found a daytime job at publishing company American Music, writing songs and recording demos. In May 1961 he left The Champs and was subsequently signed by Crest Records, a subsidiary of American Music. His first solo release, “Turn Around Look at Me”, was a moderate success, peaking at number 61 on the Billboard Hot 100. He also formed The Gee Cees with former bandmembers from The Champs, performing at The Crossbow Inn in Van Nuys, a Los Angeles suburb. The Gee Cees too released a single on Crest, instrumentals “Buzz Saw” b/w “Annie Had A Party”, which did not chart.
In 1962 Campbell signed with Capitol Records. After minor initial success with “Too Late to Worry, Too Blue to Cry”, his first single for the label, and “Kentucky Means Paradise”, released by The Green River Boys featuring Glen Campbell, a string of unsuccessful singles and albums followed.
From 1964 on Campbell began to appear on television as a regular on Star Route, a syndicated series hosted by Rod Cameron, ABC’s Shindig! and Hollywood Jamboree.
From December 1964 to early March 1965, Campbell was a touring member of the Beach Boys, filling in for Brian Wilson. He also played guitar on the group’s Pet Sounds album, among other recordings. On tour, he played bass guitar and sang falsetto harmonies. In April 1966, he joined Ricky Nelson on a tour through the Far East, again playing bass.
In 1965 he had his biggest solo hit yet, reaching number 45 on the Hot 100 with a version of Buffy Sainte-Marie’s “Universal Soldier”. Asked about the pacifist message of the song, he elected to assert that “people who are advocating burning draft cards should be hung.”
1967–72: Burning Bridges to The Goodtime Hour
When follow-up singles didn’t do well, and Capitol was considering dropping Campbell from the label in 1966, he was teamed with producer Al De Lory. Together they first collaborated on “Burning Bridges” which became a top 20 country hit in early 1967, and the album of the same name. Campbell and De Lory collaborated again on 1967’s “Gentle on My Mind”, written by John Hartford, which was an overnight success. The song was followed by the bigger hit “By the Time I Get to Phoenix” later in 1967, and “I Wanna Live” and “Wichita Lineman” in 1968. Campbell won four Grammy Awards for his performances on “Gentle on My Mind” and “By the Time I Get to Phoenix”.
In 1967, Campbell was also the uncredited lead vocalist on “My World Fell Down” by Sagittarius, a studio group. The song reached No. 70 on the Billboard Hot 100.
The 1969 song “True Grit” by composer Elmer Bernstein and lyricist Don Black, and sung by Campbell, who co-starred in the movie, received nominations for the Academy Award for Best Song and the Golden Globe.
His biggest hits in the late 1960s were the songs written by Jimmy Webb: “By the Time I Get to Phoenix,” “Wichita Lineman”, “Galveston”, and “Where’s the Playground Susie”. An album of mainly Webb-penned compositions, Reunion: The Songs of Jimmy Webb, was released in 1974, but it produced no hit single records. “Wichita Lineman” was selected as one of the greatest songs of the 20th century by Mojo magazine in 1997 and by Blender in 2001.
After he hosted a 1968 summer replacement for television’s The Smothers Brothers Comedy Hour variety show, Campbell hosted his own weekly variety show, The Glen Campbell Goodtime Hour, from January 1969 through June 1972. At the height of his popularity, a 1970 biography by Freda Kramer, The Glen Campbell Story, was published.
With Campbell’s session-work connections, he hosted major names in music on his show, including the Beatles (on film), David Gates and Bread, the Monkees, Neil Diamond, Linda Ronstadt, Johnny Cash, Merle Haggard, Willie Nelson, Waylon Jennings, Roger Miller, and Mel Tillis. Campbell helped launch the careers of Anne Murray and Jerry Reed who were regulars on his Goodtime Hour program.
During the late 1960s and early 1970s, Campbell released a long series of singles and appeared in the movies True Grit (1969) with John Wayne and Kim Darby and Norwood (1970) with Kim Darby and Joe Namath.
1973–79: “Rhinestone Cowboy” and “Southern Nights”
After the cancellation of his CBS series in 1972, Campbell remained a regular on network television. He co-starred in a made-for-television movie, Strange Homecoming (1974), with Robert Culp and up-and-coming teen idol, Leif Garrett. He hosted a number of television specials, including 1976’s Down Home, Down Under with Olivia Newton-John. He co-hosted the American Music Awards from 1976–78 and headlined the 1979 NBC special Glen Campbell: Back To Basics with guest-stars Seals and Crofts and Brenda Lee. He was a guest on many network talk and variety shows, including: Donny & Marie, The Tonight Show Starring Johnny Carson, Cher, the Redd Foxx Comedy Hour, The Merv Griffin Show, The Midnight Special with Wolfman Jack, DINAH!, Evening at Pops with Arthur Fiedler and The Mike Douglas Show. From 1982 to 1983 he hosted a 30-minute syndicated music show on NBC, The Glen Campbell Music Show.
In the mid-1970s, he had more hits with “Rhinestone Cowboy”, “Southern Nights” (both U.S. No. 1 hits), “Sunflower” (U.S. No. 39) (written by Neil Diamond), and “Country Boy (You Got Your Feet in L.A.).” (U.S. No. 11).
“Rhinestone Cowboy” was Campbell’s largest-selling single, initially with over 2 million copies sold. Campbell had heard songwriter Larry Weiss’ version while on tour of Australia in 1974. It was included in Dickie Goodman’s Jaws movie parody song “Mr. Jaws”. Both songs were on October 4, 1975 Hot 100 top 10. “Rhinestone Cowboy” continues to be used in TV shows and films, including Desperate Housewives, Daddy Day Care, and High School High. It was the inspiration for the 1984 Dolly Parton/Sylvester Stallone movie Rhinestone. Campbell also made a techno/pop version of the song in 2002 with UK artists Rikki & Daz and went to the top 10 in the UK with the dance version and related music video.
“Southern Nights,” by Allen Toussaint, his other No. 1 pop-rock-country crossover hit, was generated with the help of Jimmy Webb, and Jerry Reed, who inspired the famous guitar lick introduction to the song, which was the most-played jukebox number of 1977.
From 1971 to 1983, Campbell was the celebrity host of the Los Angeles Open, an annual professional golf tournament on the PGA Tour.
1980–present: Later career and Country Music Hall of Fame induction
Campbell made a cameo appearance in the 1980 Clint Eastwood movie Any Which Way You Can, which he recorded the title song for.
In 1991, he provided the voice of the Elvis Presley sound alike rooster Chanticleer in the Don Bluth film “Rock-A-Doodle.”
In 1999, Campbell was featured on VH-1’s Behind the Music, A&E Network’s Biography in 2001, and on a number of CMT programs. Campbell ranked 29th on CMT’s 40 Greatest Men of Country Music in 2003.
He is also credited with giving Alan Jackson his first big break. Campbell met Jackson’s wife (a flight attendant with Piedmont Airlines) at Atlanta Airport and gave her his publishing manager’s business card. Jackson went to work for Campbell’s music publishing business in the early 1990s and later had many of his hit songs published in part by Campbell’s company, Seventh Son Music.Campbell also served as an inspiration to Keith Urban, who cites Campbell as a strong influence on his performing career.
In 2005, Campbell was inducted into the Country Music Hall of Fame.
It was announced in April 2008 that Campbell was returning to his signature label, Capitol, to release his new album, Meet Glen Campbell. The album was released on August 19. With this album he branched off in a different musical direction, covering tracks from artists such as Travis, U2, Tom Petty and the Heartbreakers, Jackson Browne and Foo Fighters. It was Campbell’s first release on Capitol in over 15 years. Musicians from Cheap Trick and Jellyfish contributed to the album as well. The first single, a cover of Green Day’s “Good Riddance (Time of Your Life)”, was released to radio in July 2008. In March 2010, a farewell album titled Ghost on the Canvas was announced which served as a companion to Meet Glen Campbell.
Ghost on the Canvas was released on August 30, 2011, with collaborations that include Paul Westerberg (writer of the title track), The Wallflowers singer Jakob Dylan, Chris Isaak, Rick Nielsen and Billy Corgan of the Smashing Pumpkins.
In Los Angeles in January 2013, Campbell recorded his final song, titled “I’m Not Gonna Miss You”. The song, which is featured in a new documentary, Glen Campbell: I’ll Be Me, was released on September 30, 2014, with the documentary following on October 24. On January 15, 2015 Campbell and fellow songwriter Julian Raymond were nominated for Best Original Song at the 87th Academy Awards.
Personal life
Alzheimer’s diagnosis
In June 2011, Campbell announced he had been diagnosed with Alzheimer’s disease six months earlier.
Campbell went on a final “Goodbye Tour”, with three of his children joining him in his backup band; his last show was on November 30, 2012, in Napa, California. Campbell sang “Rhinestone Cowboy” as a goodbye at the 2012 Grammy Awards ceremony held on February 12, 2012.
In April 2014, news reports indicated that Campbell had become a patient at an Alzheimer’s long-term care and treatment facility. On March 10, 2015, NBC News reported that Campbell could no longer speak for himself and that two of his children had sought legal action against Campbell’s wife Kim, with the assertion that she had “secluded” the singer and prevented them from “participating” in Campbell’s medical care.
Discography and Videography
Since 1962, Campbell has recorded and released fifty-seven studio albums and six live albums. He has also lent his vocals to four soundtracks for motion pictures (True Grit, Norwood, Rock-A-Doodle and Glen Campbell: I’ll Be Me). He has placed a total of eighty-two singles (one of which was a re-release) on either the Billboard Country Chart, the Billboard Hot 100, or the Adult Contemporary Chart, nine of which peaked at number one on at least one of those charts. He has released fifteen video albums and has been featured in twenty-one music videos. His first two music videos, “By the Time I Get to Phoenix” and “Wichita Lineman”, were directed by Gene Weed in 1967 and 1968 respectively. Campbell released his final music video, “I’m Not Gonna Miss You”, in 2014 to coincide with the release of the documentary Glen Campbell: I’ll Be Me.
Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1965 | Baby the Rain Must Fall | Band Member (uncredited) | |
| 1967 | The F.B.I. | Larry Dana | Episode: “Force of Nature” |
| 1967 | The Cool Ones | Patrick | |
| 1969 | True Grit | La Boeuf | |
| 1969–72 | The Glen Campbell Goodtime Hour | Host | |
| 1970 | Norwood | Norwood Pratt | |
| 1976/77/78 | American Music Awards | Host | |
| 1980 | Solid Gold | Co-host | 2 episodes |
| 1980 | Any Which Way You Can | Singer at Lion Dollar Cowboy Bar | |
| 1982 | The Glen Campbell Music Show | Host | 24 episodes |
| 1986 | Uphill All the Way | Capt. Hazeltine | |
| 1991 | Rock-A-Doodle | Chanticleer (voice) | |
| 1997 | Players | Jesse Dalton | Episode: “In Concert” |
| 2014 | I’ll Be Me | Documentary subject |
Awards and honors
Grammy Awards
| Year | Category | Work | Result |
|---|---|---|---|
| 1967 | Best Male Country Vocal Performance | “Gentle on My Mind” | Won |
| Best Country & Western Recording | “Gentle on My Mind” | Won | |
| Best Vocal Performance, Male | “By the Time I Get to Phoenix” | Won | |
| Best Contemporary Vocal Performance, Male | “By the Time I Get to Phoenix” | Won | |
| 1968 | Album of the Year | By the Time I Get to Phoenix | Won |
| Best Country Vocal Performance, Male | “I Wanna Live” | Nominated | |
| Best Contemporary-Pop Vocal Performance, Male | “Wichita Lineman” | Nominated | |
| Record of the Year | “Wichita Lineman” | Nominated | |
| 1975 | Best Country Vocal Performance, Male | “Country Boy (You Got Your Feet in L.A.)” | Nominated |
| Best Pop Vocal Performance, Male | “Rhinestone Cowboy” | Nominated | |
| Record of the Year | “Rhinestone Cowboy” | Nominated | |
| 1980 | Best Country Vocal Performance by a Duo or Group | “Dream Lover” (duet with Tanya Tucker) | Nominated |
| 1985 | Best Inspirational Performance | No More Night | Nominated |
| 1987 | Best Country & Western Vocal Performance – Duet | “The Hand That Rocks the Cradle” (with Steve Wariner) | Nominated |
| Best Country & Western Vocal Performance – Duet | “You Are” (with Emmylou Harris) | Nominated | |
| 2000 | Grammy Hall of Fame Award | “Wichita Lineman” | Won |
| 2004 | Grammy Hall of Fame Award | “By the Time I Get to Phoenix” | Won |
| 2008 | Grammy Hall of Fame Award | “Wichita Lineman” | Won |
| 2012 | Grammy Lifetime Achievement Award[67] | Won | |
| 2014 | Best Country Song | “I’m Not Gonna Miss You” (shared with co-writer Julian Raymond) | Won |
| Best Song Written for Visual Media | “I’m Not Gonna Miss You” | Nominated |
Academy of Country Music
| Year | Category | Work | Result |
|---|---|---|---|
| 1967 | Single of the Year | “Gentle on My Mind” | Won |
| Album of the Year | Gentle on My Mind | Won | |
| Top Male Vocalist | Won | ||
| 1968 | Album of the Year | Bobbie Gentry & Glen Campbell | Won |
| Top Male Vocalist | Won | ||
| TV Personality of the Year | Won | ||
| 1971 | TV Personality of the Year | Won | |
| 1975 | Single of the Year | “Rhinestone Cowboy” | Won |
| 1998 | Pioneer Award | Won | |
| 2014 | Video of the Year | “I’m Not Gonna Miss You” | Nominated |
- American Music Awards
- 1976: Favorite Pop/Rock Single – “Rhinestone Cowboy”
- 1976: Favorite Country Single – “Rhinestone Cowboy”
- 1977: Favorite Country Album – Rhinestone Cowboy
- Country Music Association Awards
- 1968: Entertainer of the Year
- 1968: Male Vocalist of the Year
- GMA Dove Awards
- 1986: Album by a Secular Artist – No More Night
- 1992: Southern Gospel Recorded Song of the Year – “Where Shadows Never Fall”
- 2000: Country Album of the Year – A Glen Campbell Christmas
- Other honors
- 1974: Country Music Association of Great Britain’s Entertainer of the Year
- 2005: Country Music Hall of Fame induction[citation needed]
- 2007: Musicians Hall of Fame induction (as a member of The Wrecking Crew)[citation needed]
- 2008: Q Legend Award
- 2012: Country Radio Broadcasters, Inc. Career Achievement Award
- 2014: HMMA Lifetime Achievement Award
- 2014: Academy Award nomination for “I’m Not Gonna Miss You” (co-writer); sung by Tim McGraw
above: “Wichita Lineman” is a song written by American songwriter Jimmy Webb in 1968. It was first recorded by American country music artist Glen Campbell with backing from members of The Wrecking Crew and widely covered by other artists. Campbell’s version, which appeared on his 1968 album of the same name, reached #3 on the U.S. pop chart, remaining in the Top 100 for 15 weeks. In addition, the song also topped the American country music chart for two weeks, and the adult contemporary chart for six weeks. It was certified gold by the RIAA in January 1969. The song reached #7 in the UK. In Canada, the single also topped both the RPM national and country singles charts.
In 2010, Rolling Stone magazine’s list of the “500 Greatest Songs of All Time” ranked “Wichita Lineman” at #195. It has been referred to as “the first existential country song”. British music journalist Stuart Maconie called it “the greatest pop song ever composed”; and the BBC referred to it as “one of those rare songs that seems somehow to exist in a world of its own – not just timeless but ultimately outside of modern music”
for more information: glencampbellmusic.com
source: wikipedia.org