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Artists

Travis, Randy

Randy Travis ~ Santa Fe

Randy Travis
photo: countrymusicfinest.com

Randy Bruce Traywick (b. May 4, 1959), known professionally as Randy Travis, is an American singer, songwriter, guitarist, and actor. Since 1985, he has recorded 20 studio albums and charted more than 50 singles on the Billboard Hot Country Songs charts, and 16 of these were number-one hits. Considered a pivotal figure in the history of country music, Travis broke through in the mid-1980s with the release of his album Storms of Life, which sold more than four million copies. The album established him as a major force in the Neotraditional country movement. Travis followed up his successful debut with a string of platinum and multi-platinum albums. He is known for his distinctive baritone vocals, delivered in a traditional style that has made him a country music star since the 1980s.

Travis lived in Santa Fe, New Mexico from 2002 to 2010.

By the mid-1990s, Travis saw a decline in his chart success. In 1997, he left Warner Bros. Records for DreamWorks Records and changed his musical focus to gospel music. Although the career shift produced only one more number-one country hit “Three Wooden Crosses”, Travis went on to earn several Dove Awards, including Country Album of the Year five times. In addition to his singing career, he pursued an acting career, appearing in numerous films and television series, including The Rainmaker (1997) with Matt Damon, Black Dog (1998) with Patrick Swayze, Texas Rangers (2001) with James Van Der Beek, and seven episodes of the Touched by an Angel television series.

Travis has sold over 25 million records, and has earned 22 number-one hits, six number-one albums, six Grammy Awards, six CMA Awards, nine ACM Awards, 10 AMA Awards, eight Dove Awards, and a star on the Hollywood Walk of Fame.

Early life

Randy Bruce Traywick was born on May 4, 1959 in Marshville, North Carolina, the second of six children of Bobbie (née Tucker), a textile factory worker, and Harold Traywick, a horse breeder, turkey farmer, substitute school teacher, and construction business owner. He is a descendant of Cornish immigrant Robarde Traweek, whose son Robert was born in 1700 in Stafford County, Virginia and died in 1788 in Onslow County, North Carolina, establishing the North Carolinian roots of the Traywick family.

Randy and his brother Ricky were encouraged to pursue their musical talents by their father, who was a fan of Hank Williams, George Jones, and Lefty Frizzell. In 1967, at the age of eight, Randy began playing guitar and sang in church as a boy. Two years later, he and his brother began performing at local clubs and talent contests, calling themselves the Traywick Brothers. Randy often fought with his father and soon dropped out of high school. He became a juvenile delinquent and was arrested for various offenses, including auto theft and burglary. Travis has since voiced regret for his past misdeeds.

In 1975, while his brother was serving time in jail for a high-speed car chase, Randy won a talent contest at a nightclub, Country City USA, in Charlotte, North Carolina. The club’s owner, Elizabeth “Lib” Hatcher, took an interest in the young singer, hired him as a cook, and gave him regular singing jobs at the club. During the late 1970s, Randy worked and sang at Country City USA. Still in his late teens, Travis had one more encounter with the law. At his hearing, the judge told Travis that if he ever saw the singer back in his court, he should be prepared to go to jail for a long time. Travis was released into the guardianship of Hatcher, who also became his manager. The two began to focus on his career full-time.

In 1978, he recorded a self-titled album, Randy Traywick, for Paula Records. The following year, he released two unsuccessful singles, “She’s My Woman” and “Dreamin'”. Travis moved in with Hatcher, which put further strain on her already fragile marriage. She eventually left her husband and, in 1982, she and Travis moved to Nashville, Tennessee. It was during this time that an unlikely romance began to form between the two. Travis would later comment, “I think we discovered how much we needed each other.” He and Hatcher eventually came forward with their relationship and were married in a private ceremony in 1991.

Music career

During the early 1980s, Travis was rejected by every major record label in Nashville. His early demo tapes were criticized by record executives as being “too country.” To support them, Hatcher took a job as manager of a nightclub, The Nashville Palace, and hired Travis as a cook and singer. In 1982, Travis recorded an independent album Live at the Nashville Palace, and Hatcher used the album to secure a deal with Warner Bros. Records. As part of the contract, label executives insisted they keep their romance a secret, and changed his stage name from Randy Ray to Randy Travis. In 1985, Warner Bros. Records released the single “On the Other Hand” which peaked at No. 67 on the country charts. His next single, “1982”, became a Top 10 hit single. In 1986, Warner Bros. re-released “On the Other Hand”, which became Travis’ first number-one hit. He also covered some songs, e.g. of Randy Travis.

His debut album, Storms of Life, went on to sell more than four million copies. In the late 1980s he had a string of hits, including “No Place Like Home” and “Diggin’ Up Bones”. A song from his second Warner Brothers album Always and Forever titled “Forever and Ever, Amen” arguably launched the neo-traditionalist country era. For two years in a row, Travis won the Grammy Award for Best Male Country Vocal Performance, for the albums Always & Forever in 1988, and for Old 8×10 in 1989. He also won the ACM award for Best Country Newcomer in 1986. Off the success of his first two albums, Old 8×10 was certified platinum, and Always and Forever was number-one for 43 weeks.

In 1991 Travis took part in Voices That Care, a multi-artist project that featured other top names in music for a one-off single to raise money for the allied troops in the Gulf War. The project included fellow singers Garth Brooks, Kenny Rogers and Kathy Mattea. In addition, Travis recorded the patriotic song “Point of Light” in response to the Thousand points of light program initiated by President George H. W. Bush. Its release prompted New York freelance writer Lina Accurso to file a complaint with the Federal Election Commission charging that the single qualified as political advertising since Bush media consultant Roger Ailes produced the song’s video and White House publicist Sig Rogich was credited as a co-writer. The FEC rejected the complaint, ruling that the song and video “neither expressly advocate the election of, nor solicit contributions on behalf of, Mr. Bush.”

In 1992, Travis took a break from music to concentrate on acting and landed roles in several Western-genre films. He returned to recording with the 1994 album This Is Me and the hit single “Whisper My Name”. Three years later, Travis parted ways with Warner Brothers and signed with DreamWorks Nashville. He recorded You and You Alone, which produced the top 10 hits “Out of My Bones”, “The Hole” and “Spirit of a Boy, Wisdom of a Man”. After good friend George Jones died in April 2013 Travis recorded “Tonight I’m Playin’ Possum,” in Jones’ memory.

Gospel years

After the 1999 release of A Man Ain’t Made of Stone, Travis shifted away from mainstream country and focused on gospel. During this time, he recorded the albums Inspirational Journey (2000), Rise and Shine (2002), and Worship & Faith (2003). The single “Three Wooden Crosses” from the Rise and Shine album reached No. 1 and won the CMA song of the year in 2003. That same year, Travis ranked No. 13 on CMT’s 40 Greatest Men of Country Music. Additionally, he continued to act in film and television; he appeared in several episodes and in the series finale of Touched by an Angel. His album, Passing Through was released in November 2004 and included his song about mothers titled “Angels.” It combined the country music of his earlier years with the gospel influences from his latest albums. After the release of Glory Train: Songs of Faith, Worship, and Praise in 2005 and the Christmas album Songs of the Season in 2007, Travis released his brand new single “Faith in You” as a free download from his official website. It heralded the July 2008 release of his album, Around the Bend, his first collection of mainly secular recordings in nearly a decade.

In February 2009, Travis’ “I Told You So” was released as a single by Carrie Underwood, who had recorded the song for her 2007 album Carnival Ride. The next month, radio stations were sent a duet version of the song featuring Randy Travis on vocals. From that time on, he was credited with Underwood on the single, which peaked at No. 2 on the country charts and No. 9 on the U.S. Hot 100. That month, Travis released the two-disc greatest hits compilation I Told You So: The Ultimate Hits of Randy Travis. In June 2011, he unveiled his latest album, Anniversary Celebration. In September 2013, he released the album Influence Vol. 1: The Man I Am.

Personal life

On July 7, 2013, Travis was admitted to a Dallas area hospital for viral cardiomyopathy after a viral upper respiratory infection. His condition was classified as critical. Three days later, Travis suffered a massive stroke and had surgery to relieve pressure on his brain. On July 15, 2013, it was reported that Travis was awake and alert after undergoing brain surgery, that his heart was pumping without the assistance of machines, and that he was on the road to recovery. He was released from Baylor Heart Hospital in Plano, Texas on July 31, 2013, and entered a physical therapy facility. Following his stroke, and despite physical therapy, Travis has been unable to sing or speak and has difficulty walking, having to rely on a cane. As of November 2014, he is slowly recovering, and can walk short distances without assistance and is relearning how to write and play the guitar, according to his then-fiancée Mary Davis.

Discography

  • Storms of Life (1986)
  • Always & Forever (1987)
  • Old 8×10 (1988)
  • No Holdin’ Back (1989)
  • An Old Time Christmas (1989)
  • Heroes & Friends (1990)
  • High Lonesome (1991)
  • Wind in the Wire (1993)
  • This Is Me (1994)
  • Full Circle (1996)
  • You and You Alone (1998)
  • A Man Ain’t Made of Stone (1999)
  • Inspirational Journey (2000)
  • Rise and Shine (2002)
  • Worship & Faith (2003)
  • Passing Through (2004)
  • Glory Train: Songs of Faith, Worship, and Praise (2005)
  • Songs of the Season (2007)
  • Around the Bend (2008)
  • Influence Vol. 1: The Man I Am (2013)
  • Influence Vol. 2: The Man I Am (2014)

Honors and awards

Academy of Country Music Awards

  • 1985: Top New Male Vocalist
  • 1986: Album of the Year – Storms of Life
  • 1986: Single of the Year – “On the Other Hand”
  • 1986: Top Male Vocalist
  • 1987: Single of the Year – “Forever and Ever, Amen”
  • 1987: Song of the Year – “Forever and Ever, Amen”
  • 2003: Song of the Year – “Three Wooden Crosses”
  • 2009: Song of the Year – ” Nothin But A Good Time”

American Music Awards

  • 1988: Favorite Country Album – Always & Forever
  • 1988: Favorite Country Male Artist
  • 1988: Favorite Country Single – “Forever and Ever, Amen”
  • 1989: Favorite Country Album – Always & Forever
  • 1989: Favorite Country Male Artist
  • 1989: Favorite Country Single – “I Told You So”
  • 1990: Favorite Country Album – Old 8×10
  • 1990: Favorite Country Male Artist
  • 1990: Favorite Country Single – “Deeper Than the Holler”

Country Music Association Awards

  • 1986: Horizon Award
  • 1987: Album of the Year – Always & Forever
  • 1987: Male Vocalist of the Year
  • 1987: Single of the Year – “Forever and Ever, Amen”
  • 1988: Male Vocalist of the Year
  • 2003: Song of the Year – “Three Wooden Crosses”

Grammy Awards

  • 1988: Best Male Country Vocal Performance – “Always & Forever”
  • 1989: Grammy Award for Best Male Country Vocal Performance – “Old 8×10”
  • 2004: Best Southern, Country, or Bluegrass Gospel Album – Rise And Shine
  • 2005: Best Southern, Country, or Bluegrass Gospel Album – Worship & Faith
  • 2007: Best Southern, Country, or Bluegrass Gospel Album – Glory Train
  • 2010: Best Country Collaboration with vocals – “I Told You So” by Carrie Underwood & Randy Travis

GMA Dove Awards

  • 2001: Country Recorded Song of the Year – “Baptism”
  • 2001: Bluegrass Album of the Year – Inspirational Journey
  • 2003: Country Album of the Year – Rise And Shine
  • 2004: Country Recorded Song of the Year – “Three Wooden Crosses”
  • 2004: Country Album of the Year – Worship & Faith
  • 2006: Country Album of the Year – Glory Train
  • 2009: Country Album of the Year – Around the Bend

Filmography

  • 1992/93: Matlock (2 episodes)
  • 1993: Wind in the Wire (Himself)
  • 1994: The Outlaws: Legend of O.B. Taggart
  • 1994: At Risk
  • 1994: Texas
  • 1994: Frank & Jesse (as Cole Younger)
  • 1994: Dead Man’s Revenge (U. S. Marshall)
  • 1994–2002: Touched by an Angel
  • 1995: A Holiday to Remember
  • 1996: Edie & Pen
  • 1996: Sabrina, the Teenage Witch
  • 1997: Boys Will Be Boys
  • 1997: Fire Down Below
  • 1997: Steel Chariots (Rev. Wally Jones)
  • 1997: Annabelle’s Wish (Adult Billy/Narrator)
  • 1997: The Shooter
  • 1997: The Rainmaker
  • 1998: Black Dog
  • 1998: T.N.T.
  • 1998: Hey Arnold (as “Travis Randall”)
  • 1999: Baby Geniuses
  • 1999: The White River Kid (Sheriff Becker)
  • 2000: King of the Hill (Himself)
  • 2000: The Million Dollar Kid
  • 2000: John John in the Sky (John Claiborne)
  • 2000: The Trial of Old Drum (Charlie Burden Jr. as an adult)
  • 2000: The Cactus Kid (Pecos Jim)
  • 2000: Casper’s Haunted Christmas (Recorded a version of the theme song for the film’s opening titles)
  • 2001: Texas Rangers
  • 2002: The Trial of Old Drum
  • 2003: The Long Ride Home (Jack Fowler/Jack Cole)
  • 2003: Apple Jack (Narrator)
  • 2004: Extreme Makeover: Home Edition (Himself)
  • 2006: The Visitation (Kyle Sherman)
  • 2006: On the Farm: The Prodigal Pig (Porkchop)
  • 2006: Lost: A Sheep Story (Porkchop)
  • 2007: National Treasure: Book of Secrets (Himself)
  • 2007: The Gift: Life Unwrapped
  • 2007: The Wager (Michael Steele)
  • 2010: Jerusalem Countdown (Jack Thompson)

Further reading

  • Goldsmith, Thomas. (1998). “Randy Travis”. In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 544–5.

above: Carrie Underwood and Randy Travis perform “I Told You So” on American Idol in 2011. The song won a 2010 Grammy for Best Country Collaboration with Vocals.

for more information: randytravis.com

source: wikipedia.org

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Artists

Wade, David

David Wade ~ Albuquerque

david wadeDavid has quickly become the “Come to” Guy in the Southwest Entertainment industry for everything from Radio hits to Business consultation and makes a name for New Mexico by bringing an international presence to the region with world wide collaborations and networking. David Wade has independently secured and worked with such companies as Sony, EMI, Universal and Upstairs Records just to name a few with 2 GOLD albums being produced in the process. He has had over 5 songs on mainstream radio and reached billboard top 100 in 2005 with Lil Robs “Can We Ride” Featuring David Wade.

Wade has written, produced and is featured on over 160 of the hottest and most well known hip-hop, Pop and R&B records worldwide and remains the face of the Southwest music and entertainment movement. His resume reads like a who’s who in Rap, Pop & R&B: Baby Bash, Lil’ Rob, Angelina, Frost, Jay Tee, Fade Dogg, Clicka One, The New Ridaz, etc. are among the many artist to use his services. His voice is instantly recognizable and his hooks unparalleled. Whether writing the latest radio single, singing the hook for another artist, or performing to Sold out crowds, David Wade continues to bring nothing but quality entertainment and a mind for business that will insure he remains one of the Southwest’s top Rap, Pop, and R&B artists.

above: Wild Soul – Something Like A Mixtape by David Wade; Director/ First Camera/ Editor Margaret Thompson; Second Camera Alexander Catedral. www.megannetmedia.com

for more information: davidwade

source: reverbnation.com

Categories
Songs

2013 – Duke City – David Wade

Songs About New Mexico: Duke City

written and performed by David Wade (2013)

Albuquerque, New Mexico is also known as The Duke City.

https://www.youtube.com/watch?v=n6NECyg2nCQ

for more information: davidwade

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Businesses

Robertson & Sons Violin Shop

Robertson & Sons Violin Shop ~ Albuquerque

robertsons
photo: suzukiassociation.org

One of the largest and most reputable violin dealers in the United States, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages for over four decades. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall that is made available to clients to help them in their search for the perfect instrument and/or bow.

 

 

Areas of Specialization

  • Dealer of Rare and Contemporary Instruments and Bows
  • World Class Restoration and Repair Department
  • Valuations and Certificates of Authenticity
  • Instruments and Bows Sent Out On Approval
  • Extensive Sheet Music Library
  • Nationwide Rental Program

Robertson’s is located in Albuquerque, New Mexico.  They have a strong tradition of integrity and friendly and dedicated service. Their travels have taken them around the globe in search of the finest quality instruments and bows to ensure their clients have the best selection possible.

Clients from around the world come to Robertson’s for their expertise in string instrument repair and sales.

Don and Marie Robertson, owners, are active in the state’s music community. Marie conducts and teaches with the Albuquerque Youth Symphony Program and Don was a music teacher in the Albuquerque Public Schools prior to opening the violin shop. Robertson’s gives graciously to the state’s music community through donations, instruments, sponsorship, advertising, and music, as well as service.

above: Robertson & Sons Violin Shop’s video tour of their world class facility in Albuquerque.

for more information: robertsonviolins.com

source: robertsonviolins.com

No copyright is claimed in the above creative examples and to the extent that material may appear to be infringed, the New Mexico Music Commission asserts that such alleged infringement is permissible under fair use principles in U.S. copyright laws. If you believe these materials have been used in an unauthorized manner, please contact us.

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Educators

Robb, John Donald

John Donald Robb ~ Albuquerque

robbRobb (1892-1989) was a classical composer, Hispanic folk-song collector and preservationist, arts administrator, and attorney from Albuquerque, New Mexico.

A symphony concert in his hometown of Minneapolis when he was a pre-teen planted the seed for Robb’s lifelong desire to be a composer. He began studying cello, and then pipe organ. While pursuing an undergraduate degree in English literature at Yale University, Robb continued his music education, including a course taught by Horatio Parker. Despite his passion for music, Robb turned to a career in the law. He attended both the University of Minnesota Law School and Harvard Law School (Meredith 2003).

Robb worked as an international bond lawyer in New York City, but always made time for his music aspirations. During a 1935-36 leave of absence from his law firm, he studied composition with Nadia Boulanger at the American Conservatory in Fontainebleau, France. It was her encouragement that gave him the confidence to pursue his dream of being a composer. Throughout his life, he made time to study composition; his teachers included Horatio Parker, Darius Milhaud, Roy Harris, Paul Hindemith, and Nadia Boulanger (Meredith 2003; Smith 2009).

The educator

In 1941, after 18 years as a lawyer, Robb left his successful New York law practice to become a professor at the University of New Mexico in Albuquerque, New Mexico. One of his first achievements was to establish the University of New Mexico Symphony Orchestra, which continued to thrive in 2013. He played a major role in building the college’s Department of Music. Among the many composition students he influenced are Halim El-Dabh (Meredith 2003) and John Lewis of the Modern Jazz Quartet.Template:UNM College of Fine Arts newsletter, winter/spring 1989, Page 2 Robb served as Dean of the university’s College of Fine Arts from 1942 to 1957 (Van Cleve 2013). He became known as Dean Robb, a title that stayed with him for the rest of his life. In 1986, he received an honorary Doctor of Music degree from the University of New Mexico (Houston n.d.).

The folk-song collector

Not long after arriving in New Mexico, Robb became enamored of the Hispanic and indigenous cultures, in particular their distinctive music. On many weekends, he and his wife, Harriet, would hop in their car and head to the rural communities that dotted the state. Sometimes Robb had appointments set up, but other times, they just happened upon community gatherings. With permission of the performers, Robb would pull out his Wollensak wire recorder, hook it up to his car battery and record the musicians’ impromptu performances. “From the offices in the UNM Music Department to the dance hall across the street from the Rainbow Bar in Cuba, New Mexico, Robb recorded anyone who was willing to spend the time singing and playing for him” (Meredith 2003). This effort would ultimately result in nearly 3,000 field recordings of traditional music from the American Southwest, Nepal, and South America, which form the core of the John Donald Robb Archive of Southwestern Music at the University of New Mexico (University of New Mexico. n.d.(2)).

The composer

In addition to a commitment to preserve traditional songs and song forms that might otherwise be lost, Robb turned to those songs as inspiration for his own compositions. His regional opera, Little Jo, written in 1947-48, best shows how Robb drew from Hispanic folk music in his compositions. Another ambitious work, Joy Comes to Deadhorse, also illustrates Robb’s fascination with his adopted home. The musical was set on two adjoining ranches in the Southwest, and centers around an Anglo boy and an Hispanic girl who fall in love with each other, despite the machinations to the contrary of their fathers. The play did not receive the national attention Robb had hoped for, and he turned to Tom Jones, a young unknown lyricist, who showed interest. After years of unsuccessful collaboration, Robb agreed to relinquish his rights to the work to Jones, who reworked it with Harvey Schmidt into a non-Hispanic version. The result was The Fantasticks, which ran for 42 years at the Sullivan Theater in New York for a total of 17,162 performances (Meredith 2003).

Robb composed a large body of music, including two operas, symphonic and chamber music, and electronic music. His orchestral works have been played by many major orchestras in the United States and abroad under conductors, such as Hans Lange, Maurice Bonney, Maurice Abravanel, Leonard Slatkin, Gilberto Orellano, Yoshimi Takeda, Guillermo Figueroa, James Richards and Franz Vote (University of New Mexico. n.d.(1)).

The electronic music pioneer

Robb was in his 70s when he discovered an entirely new medium for his musical compositions. In the summer of 1965 he attended a seminar hosted by Robert Moog in upstate New York to learn more about a revolutionary new instrument, which came to be known as the Moog synthesizer. Shortly thereafter he became one of the first to purchase the synthesizer and set about to create a new body of electronic music. In all, Robb composed more than 65 electronic works (University of New Mexico. n.d.(1)).

At a 1969 concert, he collaborated with the Albuquerque Symphony Orchestra to present “Transmutation for Orchestra and Electronic Instrument”, one of his compositions that involved both the Moog synthesizer and an orchestra. A selection of his electronic works was presented at a 1969 international music festival in Trieste, Italy. As a pioneer in this new medium, he spoke at conferences around the world. In 2012, Robb was recognized as one of 12 pioneers of electronic music featured in the Moog Foundation’s 2012 wall calendar (University of New Mexico. n.d.(1)).

Robb died in 1989 at the age of 97, within 10 days of the death of his beloved wife, Harriet. They had been married for 68 years (Houston n.d.). He was active as a composer well into his 90s and completed his Requiem, which was his last major composition, when he was 93.

The Robb archives

Four distinct collections make up the John Donald Robb Archives in the UNM University Libraries’ Center for Southwest Research. They are the John Donald Robb Field Recordings, which can be listened to online; the John Donald Robb Photograph Collection, the John Donald Robb Papers, which include original Robb’s original music manuscripts, and the John Donald Robb Musical Trust Records. Also included in the archives are collections preserved by Robb’s associates. This list includes Hispanic music, Native American chants, music from South America and Europe, and oral histories (University of New Mexico. n.d.(1)).

Publications

In 1954, Robb published Hispanic Folk Songs of New Mexico, a book that presents a selection of songs along with insightful background of the different genres of the music. The book was revised in 2008. More Hispanic Folk Songs of New Mexico is planned for publication in 2014.

His magnum opus, often referred to as the Big Book, is the authoritative, Hispanic Folk Music of New Mexico and the Southwest: A Self-Portrait of a People, which was out of print for many years and achieved “collectable” status. A revised edition, from UNM Press, was published in March 2014.

Here is what University of Oklahoma Press wrote when the book was first published in 1980: “In some 700 songs and melodies, most with English translations and musical transcriptions, the author presents the Hispanic folk music of the Southwestern United States in all its rich variety. This is truly a panoramic survey of Hispanic folk music, including representation of every formal type and dozens of subjects, both secular and religious, from Arizona, California, Colorado, New Mexico and Texas. Ethnomusicologists and folklorists will value this comprehensive work both for its unrivaled scope and for its musical emphasis. Those exploring Hispanic cultural heritage will find this book a treasure trove” (Robb 1980, blurb inside front dust-jacket).

UNM John Donald Robb Musical Trust

Upon the deaths of Robb and his wife, Harriet, in 1989, the Trust was established at the University of New Mexico College of Fine Arts by a self-supporting endowment. Managed by an all-volunteer board of directors, the Trust in collaboration with UNM works to further his inspiring commitment to education, and to advance the understanding of music in the Southwest by supporting the performance of Hispanic folk songs, along with the performance, study, promotion and dissemination of Robb’s own music.

Among its initiatives, the Trust co-sponsors the annual UNM John Donald Robb Composers’ Symposium (see details below). The Trust also supports the biennial UNM John Donald Robb Composers’ Competition, which is open to composers from around the world. All entries must be built on folk-song source material from the John Donald Robb Archive of Southwestern Music. The winning composition is performed during the following UNM Composers’ Symposium (University of New Mexico 2014). In addition, the Trust supports a graduate assistantship and small grants that advance the mission of the Trust (University of New Mexico. n.d.(1)).

UNM John Donald Robb Composers’ Symposium

The Composers’ Symposium brings internationally acclaimed composers to the UNM campus every spring for four days of concerts, master classes and seminars in one of the longest-running festivals of new music in the world (University of New Mexico 2013, 23). The symposium began in 1972 when UNM Music Professor William Wood invited his former teacher, Norman Lockwood, to the campus, where his compositions were performed, along with the works of UNM music composition students (University of New Mexico 2013, 23). In 1999, the symposium was renamed the John Donald Robb Composers’ Symposium. The symposium is now presented jointly by the Trust and the UNM Department of Music.

Included among the many distinguished guests have been John Cage, George Crumb, Vincent Persichetti, Ernst Krenek, Alan Hovhaness, Milton Babbitt, Karel Husa, Michael Colgrass, Julio Estrada, Thea Musgrave, Lukas Foss, John Lewis, Gordon Mumma, Ned Rorem, Joan Tower, Cecil Taylor, and Christian Wolff.

Recordings

  • Symphony Number One/Concerto for Viola and Orchestra; National Polish Radio Symphony Orchestra, David Oberg conducting; 2003; Opus One
  • Pictures of New Mexico; Tatiana Vetrinskaya, Piano (1998); Triangulum;
  • Hispanic Folksongs of New Mexico and Art Songs (John Donald Robb); Leslie Umphrey, Soprano 2006; Opus One
  • Piano Concerto, Tatiana Vetrinskaya, Piano; Hayg Boyadjian, Second Symphony; National Polish Radio Symphony, David Oberg conducting 2003; Opus One
  • John Donald Robb and Other Artists Compilation; National Polish Radio Symphony Orchestra, David Oberg conducting; NEED DATE, Opus One
  • J. D. Robb Rhythmania: Electronic Music from Razor Blades to Moog (1970), Smithsonian Folkways
  • Rhythmania and other Electronic Musical Compositions (1976), Smithsonian Folkways

above: March 1988: Performance by the Chamber Orchestra of Albuquerque, David Oberg Music Director and Conductor. This was the first performance of the complete Symphony. The Elegy (with cello obligato) was recorded circa 1979 by the Chamber Orchestra of Albuquerque and was released on Opus One label Number Fifty-one (Max Schubel, owner and founder). The Elegy was composed shortly after World War II and was dedicated to the soldiers, sailors, and airmen who gave their lives in that war.

for more information: robbtrust.org

source: wikipedia.org

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Artists Governor's Arts Awards Platnum Achievement slider

Mirabal, Robert

Robert Mirabal ~ Taos Pueblo

Two-time GRAMMY Award winner, Robert Mirabal, is a 2019 New Mexico Music Commission Platinum Music Awards honoree. He lives with his family at the foot of the sacred Taos Mountain in northern New Mexico. Maintaining a traditional life, keeping the centuries-old customs of the Taos Pueblo people, Robert has been described as a Native American “Renaissance man” – musician, composer, painter, master craftsman, poet, actor, screenwriter, horseman and farmer – and he travels extensively playing his music all over the world. If you live a traditional life you see things differently—spiritually and musically. His first flute came when he was 18 with money he borrowed from his grandmother, and shortly afterward he had the opportunity to meet Native American flute player R. Carlos Nakai who greatly influenced him. When we met he looked at my hands and laughed. He said, “I have that same scar. It’s the scar of the flute maker.”

In the years since, Robert has continued the evolution of his flute making and has also become an accomplished novelist, poet, craftsman, composer, dancer, actor, painter, sculptor, concert performer and recording artist. His dozen albums of traditional music, rock and roll, and spoken word present a contemporary view of American Indian life that is unequaled. My music is informed by the ceremonial music that I’ve heard all my life. What I create comes out of my body and soul in a desire to take care of the spirits of the earth. A leading proponent of world music, Robert has merged his indigenous American sound with those of Africa, Asia, and the Caribbean, tapping into a planetary pulse with a style that defies categorization. My travels have provided me with experiences that I could have never imagined, and exposed me to a global sound and a global voice.

Whether as a composer, songwriter, or musician, Robert has won many honors including two-time Native American Artist of the Year, three-time Songwriter of the Year, a 2006 GRAMMY Award for Sacred Ground, and his 2008 GRAMMY Award for Johnny Whitehorse Totemic Flute Chants, blending all of Robert’s influences into a musical landscape that conjures up both the historic and contemporary West. His 2002 breakthrough PBS Special, Music From a Painted Cave is unsurpassed in Native American theatrical expression. He is also the author of A Skeleton of a Bridge – a book of poetry, prose, and short stories, and most recently his book, Running Alone in Photographs – a memoir laced with gritty, introspective prose, that opens a window to a palpable experience of life in the Pueblo through the voice of Robert’s alter-ego Reyes Winds.

As a theatrical performer, Robert is no stranger to transforming himself. He portrayed Tony Lujan (Taos Pueblo), the famed husband of Mable Dodge Lujan, in the movie Georgia O’Keeffe, a retrospective about artist Georgia O’Keeffe starring three-time Academy Award nominee, Joan Allen. In recent year’s, Robert has appeared on Japanese and Italian TV as well as several guest roles on Walker Texas Ranger. “In August of 2012,” Robert premiered Po’Pay Speaks, his one-man show in Sante Fe about the leader of the Pueblo Revolt (1680) that is now touring internationally.

above: video biopic short about Robert – premiered August 23, 2019 at the Platinum Music Awards show – created by Bunee Tomlinson of Windswept Media.